TY - JOUR
T1 - Updates in Performing Arts Medicine
T2 - A Clinical Overview for Instrumental Musicians and Dancers
AU - Backiev, Lindsay
AU - Bastepe-Gray, Serap
AU - Mueller, David
AU - Watson, Monique De Luca
AU - Chiang, Cheng Chuan
AU - Emam, Mohammed
AU - Lasner, Andrea N.
N1 - Publisher Copyright:
© The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2024.
PY - 2024/6
Y1 - 2024/6
N2 - Purpose of Review: Performing artist-athletes have high levels of physical and mental demands with different rewards and movements when compared to sport athletes. This overview of current literature will explore the epidemiology of performance-related pain and injury in instrumentalists and dancers and highlights special considerations for artist care. Recent Findings: High injury prevalence rates persist among performing artist-athletes. Overuse is a common mechanism of injury; however, knowledge gaps exist in the assessment and management of load and fatigue in this population. Among instrumentalists, emerging evidence associates pain patterns with posture, interference on performance, and psychosocial factors. High-intensity interval cross-training and neuromuscular warm-up may best prepare dancers for rehearsal and performance demands, as evidence suggests dance class is inadequate for cardiorespiratory fitness. Summary: There is uncertainty in the understanding of performing artist-athlete injury and pain. While more robust prospective research is needed for conclusive findings, the use of sports medicine and exercise physiology principles, in collaboration with teachers and artistic staff, may best inform warm-up/cool-down programs and load management strategies in the performing artist-athlete.
AB - Purpose of Review: Performing artist-athletes have high levels of physical and mental demands with different rewards and movements when compared to sport athletes. This overview of current literature will explore the epidemiology of performance-related pain and injury in instrumentalists and dancers and highlights special considerations for artist care. Recent Findings: High injury prevalence rates persist among performing artist-athletes. Overuse is a common mechanism of injury; however, knowledge gaps exist in the assessment and management of load and fatigue in this population. Among instrumentalists, emerging evidence associates pain patterns with posture, interference on performance, and psychosocial factors. High-intensity interval cross-training and neuromuscular warm-up may best prepare dancers for rehearsal and performance demands, as evidence suggests dance class is inadequate for cardiorespiratory fitness. Summary: There is uncertainty in the understanding of performing artist-athlete injury and pain. While more robust prospective research is needed for conclusive findings, the use of sports medicine and exercise physiology principles, in collaboration with teachers and artistic staff, may best inform warm-up/cool-down programs and load management strategies in the performing artist-athlete.
KW - Cross-Training
KW - Dancer Injury
KW - Epidemiology
KW - Musician Injury
KW - Performing Arts Medicine
KW - Playing Related Musculoskeletal Disorders
UR - http://www.scopus.com/inward/record.url?scp=85192211362&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85192211362&partnerID=8YFLogxK
U2 - 10.1007/s40141-024-00450-w
DO - 10.1007/s40141-024-00450-w
M3 - Review article
AN - SCOPUS:85192211362
SN - 2167-4833
VL - 12
SP - 223
EP - 233
JO - Current Physical Medicine and Rehabilitation Reports
JF - Current Physical Medicine and Rehabilitation Reports
IS - 2
ER -